#Exorcist subliminal messages movie

There were certain moments that had played out differently in my head, but it turns out that the extended cut isn’t any closer to those false impressions. After watching the theatrical cut on Monday, I was primed to root for the newer version, but I think my memory was playing tricks on me. I can’t say for certain whether I’d seen the extended cut in its entirety before this week. The first was almost surely in an edited-for-TV version. I’ve seen this film a few times and in a few different formats. saw 20th Century Fox raking in profits off of the digitally enhanced Star Wars trilogy in 1997, so doing the same for the studio’s biggest hit was a no-brainer. Furthermore, it seems to be the case that this was a studio-mandated project. Blatty, on the other hand, objected to a number of the cuts that were originally made, so in effect, the new version is closer to his wishes. Director William Friedkin has claimed that this version is now definitive, but there isn’t any evidence to suggest that he wasn’t happy with the film in 1973. In fact, it’s bald-faced auteurist propaganda.

In subsequent home video releases, this version has been re-dubbed the “Extended Director’s Cut,” which is an even more questionable name. The extended version is about ten and a half minutes longer, with some of the “new” scenes already having been made available as “deleted scenes” in DVD releases. The new cut was given the provocative subtitle The Version You’ve Never Seen, which is true only in the most literal sense.

#Exorcist subliminal messages movie

Twenty-seven years after the film’s release, it was back in theaters in a new extended cut, restoring a few scenes and adding stereo sound, all in an attempt to woo a new generation of horror movie fans - kids who, at the time, were being fed a steady diet of ironic slasher movies. Its place in history is secure, marking a turning point for the horror genre as well as the zenith of that genre’s cachet. Not only did it bring in the crowds and score ten nominations at the Oscars, but stories of audience members fainting, vomiting, and fleeing theaters gave it the kind of notoriety that advertisers can only dream of.

The adaptation of William Peter Blatty’s novel was a phenomenon in 1973/74 and has remained legendary since. On the all-time box office top 100 list (adjusted for inflation), The Exorcist, ranked at number nine, is the only straight horror film (with Jaws and The Sixth Sense being arguably borderline, and 1953’s House of Wax, oddly enough, clocking in at #101).